Emi Ferguson, flute
Ashley Jackson, harp

Hailed by critics for her “tonal bloom” and “hauntingly beautiful performances,” English-American performer and composer Emi Ferguson stretches the boundaries of what is expected of modern-day musicians.  Emi’s unique approach to the flute can be heard in performances that alternate between the Silver Flute, Historical Flutes, and Auxilary Flutes, playing repertoire that stretches from the Renaissance to today.

​Emi is very proud to be named a 2023 Avery Fisher Career Grant awardee, and can be heard live in concerts and festivals around the world as a soloist and with groups including AMOC*, the New York New Music Ensemble, the Handel and Haydn Society, and the Manhattan Chamber Players. She has spoken and performed at several TEDX events and has been featured on media outlets including The Discovery Channel, Vox's "Explained" series on Netflix, Amazon's The Marvelous Mrs. Maisel, and Juilliard Digital's TouchPress apps talking about how music relates to our world today.  Her debut album, Amour Cruel, an indie-pop song cycle inspired by the music of the 17th century French court was released by Arezzo Music in September 2017, spending 4 weeks on the Classical, Classical Crossover, and World Music Billboard Charts. Her 2019 album Fly the Coop: Bach Sonatas and Preludes, a collaboration with continuo band Ruckus debuted at #1 on the iTunes classical charts and #2 on the Billboard classical charts, and was called “blindingly impressive...a fizzing, daring display of personality and imagination” by The New York Times. In addition to her solo recordings, Emi has also been featured on recordings for New Focus Records, Old Focus Records, Canteloupe Music, National Sawdust Tracks, Brontosaurus Records, Coro, and MSR Classics.

Emi was a 2022 member of WQXR's Artist Propulsion Lab where she developed the podcast series "This Composer Is Sick" with Max Fine, exploring the impact of Syphilis on composers Franz Schubert, Bedrich Smetana, and Scott Joplin. Since then, she has been the guest host of five episodes of WQXR's Young Artists Showcase where she featured musicians awarded the Paul and Daisy Soros Fellowship for New Americans, grantees of the Salon de Virtuosi Career Grant, artists pioneering music by contemporary composers, and young musicians reinvigorating music of the past for today.

Emi was a featured performer alongside Yo-Yo Ma, Paul Simon, and James Taylor at the 10th Anniversary Memorial Ceremony of 9/11 at Ground Zero, where her performance of Amazing Grace was televised worldwide. Her performance that day is now part of the permanent collection at the 911 Museum.

A passionate chamber musician of works new and old, Emi has been a featured performer at the Marlboro, Lucerne, Ojai, Lake Champlain, Bach Virtuosi, and June in Buffalo festivals and has premiered works by many of today’s leading composers, working most recently with composers Michael Hersch, Roscoe Mitchell, Emily Koh, Gabriela Ortiz, and Georgina Derbez.

Emi can often be found dreaming up programs that collide various musical disciplines, composers, and that feature her as a flute player, singer, arranger, and composer. Upcoming projects include Microcosms, the music of Telemann and Ligeti, with Ruckus, The Enchanted Dawn, with harpist Ashley Jackson, and Pastures of Plenty, a program developed for Frankly Music that features music of Franz Schubert, Woody Guthrie, Harry T. Burleigh, and Thomas A. Dorsey.

As a historical flutist, in addition to her appointment as Principal Flute of the Handel and Haydn Society, Emi is a frequent guest soloist with period ensembles including Tafelmusik, Voices of Music, the American Classical Orchestra, and Trinity Baroque Orchestra.  She was the only flutist accepted to Juilliard’s inaugural Historical Performance class, and was the first person to have graduated from Juilliard with Undergraduate and Graduate degrees with Scholastic Distinction (awarded for her simultaneous studies in Epidemiology) in flute performance, as well as a second Graduate degree in Historical Performance as a Paul and Daisy Soros Fellow.

Emi is currently on the faculty of the Juilliard School, the Bach Virtuosi Festival, and has taught on the faculty of the University of Buffalo. Born in Japan and raised in London and Boston, she now resides in New York City.

Praised for her “soulful” and “eloquent” playing (Musical America), harpist Ashley Jackson enjoys a multifaceted career as a highly sought-after musician and collaborator in New York and beyond. As a soloist, she has performed at Lincoln Center, Celebrate Brooklyn! and the Schomburg Center for Research in Black Culture. She has also performed with the New York Philharmonic, Metropolis Ensemble, the Qatar Philharmonic, and is the principal harpist of NOVUS NY, the contemporary music orchestra of Trinity Wall Street led by Grammy-nominated conductor Julian Wachner. She is a member of the Harlem Chamber Players, with whom she has developed a number of projects, including her first film, In Song and Spirit and the Harlem Walking Tour Series.

Throughout her academic and professional careers, Ashley has demonstrated a commitment to diversity and inclusion within higher education and the performing arts, firmly believing that a deeper understanding of cultural and ethnic diversity is critical to intellectual and artistic development. As a recipient of the Theodore Presser Award, she pursued her doctoral research on black female composer Margaret Bonds and her collaboration with Langston Hughes, and presented her findings in lectures at the Studio Museum of Harlem, WMP Concert Hall, and the University of North Carolina. Her research culminated in the release of the album, The Ballad of the Brown King and Selected Songs (Avie Records) on which she is a featured performer, as well as the author of the liner notes. Her speaking engagements have included “1960: Margaret Bonds and a Message for Civil Rights” (Juilliard), “Affinities: Margaret Bonds and Langston Hughes,” (Studio Museum of Harlem) and “Representation as Resistance: How an Activist Orchestra Redresses the Push-out of Black Practitioners from Classical Music” (Harvard University). As a writer, her works have appeared on NewMusicBox (“The Cultural Citizen: How Classical Music Got Me Woke") as well as in the International Journal of Women in Music (“Margaret Bonds and The Ballad of the Brown King: A Historical Overview”). She is currently an Assistant Professor and the Director of Undergraduate Studies for the Music Department at Hunter College, where she teaches chamber music, harp, and courses such as the Arts in New York City.

Ashley holds a Doctor of Musical Arts degree from the Juilliard School, a Master of Music degree from the Yale School of Music, and a Bachelor of Arts degree from Yale University.